A growing list of over 30 hardware synths now supports a level of integration where Omnisphere becomes the synth engine of the hardware.His Molten YouTube channel has passed 3.3 million views and gathered 28,000 subscribers.
He writes reviews and features for Sound On Sound magazine, the worlds premier audio recording technology magazine and is a regular columnist focusing on PreSonus Studio One. He is the synthesizer correspondent for news website Gearnews.com. FULL BIO. They have become extraordinary playgrounds of sonic possibility, from the breathtakingly realistic and authentic sound of live instruments to all the squelchiness and control of hardware synthesizers. Best Sites For Vsts Software And ProvideThey plug into music production software and provide the sounds you can play with a keyboard or controller, or sequence, arrange or compose with. It was fun, immediate, edgy and had remarkable modulation possibilities. When they came to make a new version, Native Instruments pulled out all the stops and have created not only a worthy successor to a powerful synth but have taken it to completely new and unexplored places. It features a dual wavetable sound engine, noise generation, analog oscillators, filters, effects and a massive modulation section with no end of LFOs and envelope configurations. The interface is a radical departure from the original and its an exciting place to play. They can be aggressive or bendy, soft or glassy, hard and unyielding. Pull in some hard sync and dial-up some phase modulation to keep everything alive. Movement can be drawn in as complex evolving patterns of automation and modulation. And if it all gets too much you can simplify everything with the 16 assignable Macros that can take care of the heavy lifting while you stay in the creative zone. ![]() It wears its modulation front and center with graphical representations of every wave, every curve, and every possibility. You can almost program this synth visually and know exactly what its going to sound like. With the sampling side, you can load up to 6 slots of samples and play them like a sampler or route them through a granular engine to pull out the grains and generate new soundscapes. This is crazy town. And once things are moving you can work it all through the step sequencer with lanes of further automation and explorable randomization. Originally designed for pads, it has evolved to become a versatile playground of sound, landscapes, and rhythms that can reflect hardware but also take you off to planets youve never explored before. The secret of its huge and powerful sound comes from the layering of mixing of sounds within the engine. Each patch can have 4 layers of sound made from over 500 DSP waveforms, filtered by 34 types, modulated by 8 LFOs and 12 envelopes. Theres a massive bank of 57 effects units to process and push your sounds into new zones. All of which can be modulated from the same synthesis engine. It has an Orb performance interface where you can set things in motion and spin it into sound morphing and discovery.
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